![]() In version 1, this comprised 16 analogue-style shapes and 39 bespoke sampled waves. The main thing that makes SubBoomBass specifically bass-centric is the selection of waveforms available to the oscillators. So, whenever you come up with a Filter, effects or Sequencer setup that you want to reuse independently of the rest of the patch, you can save it into the preset library for that section. The String model makes a great addition to SubBoomBass’ arsenal, but it also makes us long for a third oscillator, as we often find ourselves wanting to add it to an existing two- oscillator patch, rather than swap it out for ‘half’ of the sound.Įach section also now incorporates a utility menu, housing various editing functions (Copy, Paste, Sequencer Transpose, etc) and facilitating saving and loading of section presets. The rest of the String controls govern the envelope shape and length of the impulse, as well as the pluck point on the string (ie, at its central tensile point or towards one end), the cutoff frequency of a low-pass filter in the delay loop, and the response of said parameters to incoming MIDI note value and velocity. The resulting ‘impulse’ is fed into a short feedback delay, the feedback level (and thus tonal character) of which is set by the Impulse Length knob. The source signal for the String model is a blend of any two from SBB2’s selection of analogue and noise waveforms. There’s a dedicated String page for each oscillator, so you can mix one with an analogue or sampled oscillator, or run two of them at once. SubBoomBass 2’s new physically modelled Karplus-Strong String emulation is selected in the oscillator waveform menu and edited in detail in the String page of the multifunction panel, with the most important controls duplicated in the oscillator panels. ![]()
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